【中商原版】Oxford in Prints: 1675-1900 进口艺术 牛津版画：1675-1900 下载 pdf 百度网盘 epub 免费 2025 电子书 mobi 在线

For more than three centuries, Oxford has served as a source of inspiration for fine illustrated books and engraved prints. These works hold an important place in the historical record of the city, showing its identity to be deeply rooted in history while also chronicling Oxford’s development through the architecture of its most beautiful college and university buildings.

With Oxford in Prints, Peter Whitfield has assembled a rich selection of more than seventy illustrations and prints that offer a portrait of Oxford before it became the modern city it is today. Seventeenth-century prints by David Loggan show the medieval origins of Oxford University already overlaid by Tudor and Stuart buildings. Eighteenth-century editions of the Oxford Almanack depict a city dominated by neoclassical ideas. By the nineteenth-century, illustrations in the Almanack had an increasingly romantic feel, with buildings against a natural background of the river, trees, and sky. Each illustration or print is accompanied by an insightful description, including salient historical features.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：【中商原版】Oxford in Prints: 1675-1900 进口艺术 牛津版画：1675-1900在线阅读

在线听书地址：【中商原版】Oxford in Prints: 1675-1900 进口艺术 牛津版画：1675-1900在线收听

在线购买地址：【中商原版】Oxford in Prints: 1675-1900 进口艺术 牛津版画：1675-1900在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

For more than three centuries, Oxford has served as a source of inspiration for fine illustrated books and engraved prints. These works hold an important place in the historical record of the city, showing its identity to be deeply rooted in history while also chronicling Oxford’s development through the architecture of its most beautiful college and university buildings.

With Oxford in Prints, Peter Whitfield has assembled a rich selection of more than seventy illustrations and prints that offer a portrait of Oxford before it became the modern city it is today. Seventeenth-century prints by David Loggan show the medieval origins of Oxford University already overlaid by Tudor and Stuart buildings. Eighteenth-century editions of the Oxford Almanack depict a city dominated by neoclassical ideas. By the nineteenth-century, illustrations in the Almanack had an increasingly romantic feel, with buildings against a natural background of the river, trees, and sky. Each illustration or print is accompanied by an insightful description, including salient historical features.